AFTERIMAGE, 2025
AFTERIMAGE 21/06/25 – 02/08/25 What compels an artist to venture into remote landscapes, to intervene quietly in forgotten spaces,
Mud Form, 2015
Mud Form, 2015 River Avon Mud | 12 x 9 x 9cm ‘Black Country Rhythms,’ a twenty-six by five
Mount’s Bay Stool, 2022
Mount’s Bay Stool, 2022 Sub fossilised oak (C14 date 4400 to 4700 before present) | 48 x 38 x
Stack, 2024 – 2025
https://vimeo.com/manage/videos/1082655594 Stack, 2024 – 2025 Archival pigment prints | 60 x 90cm framed Deep sea trawl floats, aluminium, steel
Untitled (+/-), 2009
Untitled (+/-), 2009 Bone, hair, loom, concrete | Dimensions variable Having swallowed its prey whole, the barn owl’s digestive
Complex System 178 & 179, 2015
Complex System 178 & 179, 2015 Cuttlebone | 113 x 94 x 5cm each part Cuttlebone fragments are processed
From This Day On, 2023
From This Day On, 2023 Oak, concrete, steel | 300 x 300 x 165cm In 2023 the artists installed
The Well, 2013
The Well, 2013 Bird’s eggs, wenge, steel | 172 x 57 x 57cm Post sell-by-date supermarket eggs, blown and
With the Past on the Left and the Future on the Right, 2023
With the Past on the Left and the Future on the Right, 2023 Limpet shells, stainless steel | Dimensions
Canopy, 2014/2025
Canopy, 2014/2025 Oak, leaf, steel | 180 x 120 x 44cm In 2014 Ally walked from our home to